Monday, 21 March 2011

A Bohemian Correspondence (iv)

Mme Pletheridge’s School for

Talented Young Ladies

36, Marianjosephstrasse, Vienna,

The Imperial Bohemian Empire

3rd July 1173

Dear Mr Parry,

My colleague Miss Hargreaves has pointed out to me that your incommunicado ‘survival year’ may in fact be a euphemism for your disinclination to communicate with me and indeed your intention to force me to be the one to break off our engagement. If our agreement to marry has truly become burdensome to you and you do wish to part, I beg that you will send me word to that effect. I will not waste my salad years pining over a man who would rather fish for a year than write letters.

Yours sincerely,

Felicitas Ungrave

A Bohemian Correspondence (iii)

Mme Pletheridge’s School for

Talented Young Ladies

36, Marianjosephstrasse, Vienna,

The Imperial Bohemian Empire

26th June 1173

Dear Rhisiart,

Still nothing. I must inform you that I am finding this very disappointing. Please write immediately to

Your unhappy

Felicitas

A Bohemian Correspondence (ii)

Mme Pletheridge’s School for

Talented Young Ladies

36, Marianjosephstrasse, Vienna,

The Imperial Bohemian Empire

20th June 1173

Dear Rhisiart,

I know I am impatient but your letters are too dear for me to do without them. Please try harder to find a way to write to me, my dearest. I miss your kind words terribly.

School is tedious as usual and the girls particularly tiresome this month. I believe the heat has wilted their moral and intellectual fibre. I actually caught some of them attempting to wriggle out of their petticoats during Welsh declamation yesterday. They had found a way to stuff them into the clockworks of the heating golem, which naturally has been inactive for the past few months. They claimed they were too hot to think in all their layers but frankly if they could devise a way of ridding themselves of the garments and hiding them in such an ingenious place, they can certainly decline a few nouns and lenite a few stops for me. I did not send them to Mme Pletheridge in the end. It would not make them any cooler or more attentive and I do not care to be known as the tutor whose girls can’t keep their clothes on!

However, the space inside the golem was quite intriguing. The design has changed a little since I used to help my father construct them before the Uprising and I imagine the chamber is a kind of cooling facility. I have determined to see if I can find another unused golem around the place to use as my own hiding place for your letters. Miss Hargreaves, with whom as you know I have to share accommodations, is a dear, dear friend, but a terrible snoop.

Please send me word as soon as you can and relieve the boredom of

Your overly hot

Felicitas

A Bohemian Correspondence (i)

Mme Pletheridge’s School for

Talented Young Ladies

36, Marianjosephstrasse, Vienna,

The Imperial Bohemian Empire

11th June 1173

Rhisiart what do you mean you can’t send me letters for a year? We’re engaged, for goodness sake! I’m sure the civil service don’t mean you can’t write to your fiancée while you do your year on that island. I understand perfectly why you should have no communication with business people or family or people like that who could take up your time and bother you but you need me, darling. I make you happy. You’ll want to throw yourself into the sea if we aren’t in regular, detailed correspondence.

Honestly, Rhisiart, isn’t it disagreeable enough already that you live in London and I am trapped here in this pestilential establishment teaching Welsh and embroidery to the most utter ignoramuses? I cherish your letters, my darling. I read them surreptitiously while the girls practise their group declamation of Armes Prydein. Without them I will break my heart and die howling on the headmistress’s Turkey carpet, I promise you.

There must be some way. I know you said your survival year is vital if you want to qualify as a civil servant but, darling, if I know one thing from living in this political ant heap of a city, it’s that there are always ways and means. Trust me, there will assuredly be someone you can bully into ferrying letters for you, or someone’s greasy palm you can threaten to bring to light unless he helps you. There always, always is. It just requires a little exertion to find him. That’s another reason why you need me. I’ m sure you’d never get anything done unless I gave you a little poke in the ribs now and then. Isn’t that what wives (to-be) are for?

So, no more of this nonsense. I will expect your letter as usual on Monday week. I have faith in you, my darling, I know you can achieve anything for

Your dearest,

Felicitas

Saturday, 5 March 2011

Bēnpod Caunt

It is my considerable honour to publish here a document recently uncovered by noted academician Mr Urban Feaks, best known as editor-in-chief of the remarkable Enclyclopædia of the Bohemian Empire.

With great condescencion Mr Feaks has permitted me to reproduce, with links to his inestimible Encyclopædia, the full text of an open letter by one Bēnpod Caunt, a noted Mensurian pit-fighter. It is a fascinating insight into the mœurs of Bohemian society at the time of the Empress Alexandra and I hope will be followed by more material in the same vein. AOM.

The Life of Bēnpod Caunt

by B. Caunt


The following tale of minor celebrity, being a potted and selected history of myself, Bēnpod Caunt, up to this time, is not a tale of particular wonders or particular tragedies. I have, to be sure, lived a more interesting life than most, but my memoirs do not make fascinating reading. We live in civilised times, run according to dirigible timetables. We fret that our children will be bullied at school if we cannot afford the finest tweeds for them. We feel twinges of guilt at breakfast with our wives after a night spent enjoying the affections of Burlesque dancers. We are civil and civilised and feel the tedium of modern life. Is there nothing more than this?


My very first memory was the arrival of a Viennese trading convoy. Slow carts rolled in and exotic people flooded the village. They came at the end of each summer to buy wine and especially tobacco but they haggled badly and my father charged them twice what he could have accepted. We lived modestly.


Intermittently throughout the year, working to their own strange rhythm, these itinerant traders passed through. If they arrived from the north, they sold luxuries such as soap, mirrors and the latest Viennese fashions. From the southwest, they sold olives and from the east, arquebuses. Every East-Anglian peasant-boy could hunt and, although the last serious attack on our village was almost out of living memory, we also learned to fight. Those skills are hard-learned and not easily forgotten.


When I was 17 years of age, everyone we knew became suddenly rich. Trading carts had given way to convoys of small dirigibles held up by balloons of hydrogen. They were unbelievably fast. If, on a Saturday, Viennese high fashion dictated that hair should be worn in vertical spikes then, by Monday, the ladies of East-Anglia would saturate their hair in sugar water and hang upside down until it set solid. These convoys were also cheap to run until the Salzburg Guild of Engineers and Prospectors quadrupled diesel prices overnight. Our glorious nation was plunged instantly into recession until Empress Alexandra personally staked a 60 000 Guinea reward for the secret of diesel production.


Three months later, Rudolf Ramersson of Budapest invented biodiesel which could be produced cheaply, via an alchemical process, from Canola Seed oil. East-Anglia alone of the 5 provinces of Bohemia had the correct conditions for the cultivation of Canola Seed. Within one year food production on our native farmland had dropped to zero. Every peasant family produced biodiesel and the average wage quadrupled. East-Anglia became temporarily rich.


That winter, however, while my family feasted, a cross-discipline research team, jointly headed by the renowned alchemist Rudolf Ramersson and the then unknown but academically brilliant young Theoretical Poet, William Gates-Williamsson, invented the Biodiesel Combustion Golem. Unlike previous golem models which relied exclusively on magic to function, the Biodiesel Combustion Golem was easy to program, 100% reliable and could be inexpensively produced in factories.


In 1153rd year of our lord Karolus Magnus my family was evicted from our lands. The absentee landlord had purchased a golem which, without human intervention of any kind after initial installation, could grow and harvest 6000 Guineas-worth of Canola Seed annually. It came with a 101-year parts-and-labour guarantee. My family, following the tide of suddenly destitute ex-peasant farmers, emigrated to Vienna in search of work.


It is, however, a truly ill wind that blows nobody any good. I never had the patience or willpower to be a farmer. I spent much of my adolescent life drunk, angry and, in the finest East-Anglian tradition, settling petty arguments with the brutal and ritualistic duelling we call Mensur. Evenings spent at my family’s homestead invariably ended in a pointless and ill-considered argument by which means I imposed my misery upon my parents. The next morning I would awake ashamed but my family ignored my excesses and patiently allowed me to continue on my path. And, as luck would have it, alcoholism and finely honed aggressive tendencies left me perfectly suited to life in Vienna. I learned to replace my unsophisticated rural speech patterns with the strangled, nasal Viennese vowel sounds. I left my family wallowing in their ghetto and moved on. Within one month I had embarked on an illustrious career as a Pit-Fighter.


Very few foreigners ever take the time to fully understand the complex rules and traditions of Mensurian Pit-Fighting but, contrary to the belief commonly held outside of Bohemia, it is extremely rare for participants to die or be maimed in the course of a match. It is, however, even since the introduction of the modern LBW rule, very common for both participants to suffer severe head trauma.


At my peak I was undefeated in over 420 matches (outstripping even the great Bendigo Tomsson) but I had my fair share of concussions and, if that wasn’t enough to render my memory somewhat blurry, I could always finish the evening drunk and unconscious on the floor at any one of a number of post-match parties. At these parties, with dried blood from the fight encrusted on my coat, I could enjoy brandy and marijuana with the highest names in high-society and the brightest young things of the Burlesque scene.


I even met the landlord who had evicted my family. He was a pleasant man who could trace his ancestry back to the founding of the Bohemian Empire. Years later I learned that he was killed defending his lands during the Mechano-Homunculus Uprising of 1165. This, I suppose, is Kismet and, at the very least, means that William Gates-Williamsson never had to make good on the 101-year parts and labour guarantee. It truly is an ill wind that blows nobody any good.


Of course, this level of celebrity could not be sustained. Every sportsman begins to lose his edge and it becomes harder as each year passes to maintain the necessary peak level of fitness. I am now a veteran at the age of 38 and confined strictly to the senior leagues but my yearly tours of the Bohemian Provinces are still attended by hundreds and I earn twice what my parents made even in that golden year when biodiesel was first invented. Occasionally, after a particularly unsuccessful gambling binge or disastrous run on the stock market, I will temporarily run out of money and have to supplement my income with after-dinner speaking engagements (which I loathe).


I offer this potted history of myself, the moderately famous Bēnpod Caunt, in the hope that the dear reader will share with me the yearnings of a dreamer. Modern life with its golems and sanitised dirigible travel is, by consensus, intolerably dull. In my youth I read with passion the books of H.G. Wells and I find myself returning to those childish things. I would have preferred to be a character in one of his Fantastic novels: a barbarian riding into the wilderness to kill Elves, a deranged scientist harnessing the power of lightning or a Morlock taking on the form of men to seduce their wives and steal their treasures. Life would have been brutal and almost certainly short but at the very least it would have been an adventure and preferable to the oppressive existence which we are obliged to live in Alexandrine Bohemia.


I write this article as a form of open letter. I respectfully request of any reader who considers that he (or even she) can tell a true tale of adventure to submit it to me, care of the eminent publishers of this journal. Anything considered worthy of the great fiction writers of the Fantastic or Scientifiction genres will be considered for publishing.


B. Caunt


(c) E. O'Mahony All rights reserved

Thursday, 3 March 2011

The Curse of Chalion

I have had the urge for some 'proper' fantasy for a while but everytime I pick up a 'proper' fantasy novel I read the blurb about chosen ones, assassins, strong-minded young women, ignorant farmboys, thieves, elves, dwarves, vampires, fairies, sorcerors etc, roll my eyes and put it back where I found it.

Maybe I only think I like fantasy.

Then I came across this book and it renewed my faith. It isn't the best fantasy novel I have ever read but it is good, readable, interesting and doesn't have any of the elements listed above (well, there are several strong-minded women but they aren't all young.)

Ignore the cover. I really wish fantasy books came in sober covers. It isn't that I'm embarrassed reading a book with a cover like this. I just feel sorry for the books (the good ones, anyway). They deserve to be taken seriously.

Anyway, the blurb:
"Cazaril, betrayed by his enemies into a crippling two years in the galleys, returns to court a physical and emotional wreck: appointed secretary-tutor to the young princess Iselle, he finds himself in direct opposition to his powerful betrayers. His preparedness to make the ultimate sacrifice and save Iselle from an unwanted marriage to one of them by a death spell that will kill him also has unforeseen results; he learns the hard way that the gods have plans for him, ingenious and mischievous plans."

This is pretty accurate but doesn't tell you much. It rather depends on whether Cazaril is going to be good company, doesn't it?

The main problems of fantasy novels (apart from those common to all novels, such as bad writing, underdeveloped characters, unbelievable plots) are:

  • world-building - presenting enough information about a world the reader has never visited before (including history, geography, language, architecture etc) without resorting to 'info-dump', which is where all this information is laid out straight or presented awkwardly through unlikely dialogue.
  • avoiding cliche - and there are a heck of a lot of cliches to avoid. You can think of ten right now.
  • making sure readers are invested enough in the story to buy the many inevitable sequels.

All of these are handled well here.
  • The world-building is detailed but plausible, and deftly done. The world is introduced at the same pace and at naturally as the characters are. In this respect it felt to me just like any (non-fantasy) novel setting the scene. In fact it was taking its time so nicely it seemed to me it might become a story about one small incident in a castle of no great importance in a vast fantasy world. Which made me ask myself, Does everything always have to be huge scale, end of the world in fantasy? What is the point of a fantasy setting? Can it form the background for something small or would it then simply be window-dressing?
  • Cliches are pretty well steered round. What there are, are cliches because life is cliche. (Apologies for the lack of acute accents.) Princesses, for example, do (or did) have marriages arranged for them to suit/manipulate the political climate. There is a prophecy in Chalion, it's true, but it's low key and only really relevant after the event. Come to think of it, there are a few stock characters: evil chancellor, good friend, loyal lady-in-waiting. But they are pretty well drawn.
  • Best of all, the ending wraps everything up. I have ordered the sequel from the library on the strength of the writing, rather than because Bujold is holding a cliffhanger to my throat.

So what was so good about it?
  • The structure is excellent. Bujold (again, deftly) considers where a story 'begins'. Obviously, this is something that obviously exercises authors a great deal - where exactly should you jump into the narrative? It's also something that exercises the reflective mind seeking the 'first moment' when a decision (mundane or, here often a spiritual one) sets a character on his or her journey. These 'beginnings' are not apparent at the time. In Chalion many such moments are mentioned in passing, and are returned to later, proving to be of great importance.
  • The pacing is always excellent.
  • It feels like this is the story left in the wake of a more conventional war-based fantasy novel, one I would have been less interested in reading.
  • A believable and charming lead who has been battered in body, mind and soul. He is perhaps a little better at arms than he ought to be in his condition but I'm willing to let that pass. He is rather vulnerable, both physically and to malicious gossip.
  • Interesting characters. Cazaril by far the most developed. Orico, the fat, apparently indolent and pathetic king, interested me. It was interesting to have a weak character's hidden strengths and struggles acknowledged. There is also some subtlety to the villain Martou Jirondel, if not to his even more villainous brother Dondo.
  • There is no real magic as such, but miracles and saints and gods. This works and gives the story and the characters a spiritual depth I found compelling. Kindness is key, and faith, discipline and commitment are valued.
  • Good strong female characters, none of whom fight with swords, although some do have what could be considered 'male' roles. Some good roles for older women too, which is refreshing.
  • Illness, physical and mental play a prominent role, as symptoms of the spiritual malaise affecting the kingdom. They are fairly sympathetically handled, I think.

Minor criticisms:
  • I didn't entirely buy the relationship between Cazaril and Betriz. For some reason she never became three-dimensional to me. She is so strongly identified with royesse Iselle's concerns that she feels a little like a double for her - one that Cazaril can legitimately be rewarded with for his efforts.
  • Not enough. How long is long enough? As I mentioned above, the world and the protagonist are introduced quite slowly and richly. Once the 'action' kicks off, the pace necessarily curtails the wealth of detail. I found it desperately exciting, but also mourned the sudden narrowness of focus.

Buy a copy of The Curse of Chalion by Lois McMaster Bujold for your very own, here.